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SCENOGRAPHIC AUDIO SYSTEM©
for a wide range of users in the Hi-Fi & High-End Audio industry as well as for technical specialists
Scenographic Audio System© (SAS-Audio©)
This is a ready-made interior solution that includes the integration of three subsystems, designed for holistic placement in the interior:
Scenery Audio©
An ultimate level audio system, enriching the usual interpretation of stereo systems as such and blurring the lines Hi-Fi Stereo & High-End Audio
Line Suite©
2.
Designer functional furniture, organized into a single set (suite), specially designed to achieve a new level of ease of use of audio systems
Line Light©
3.
Designer interior lighting, organized into a single system, specially designed to increase the comfort of listening to audio content
1.
SAS-Audio© Formula
SAS Audio© = Scenery Audio© + Line Suite© + Line Light©

All components are organically integrated into a single integral system and are subordinated to its Brainchild
Announcement of the SAS-Audio©
SAS-Audio© images in the photo will be published for the first time exclusively on the official website sas-audio.pro on its launch date on 24.4.24.
SAS-Audio© will be presented to a wide range of people for the first time by its authors* at the HI-FI & HIGH END SHOW exhibition in Yekaterinburg (hifishow.ru) on the dates of its holding: 25-26.05.24
(* Denis Monakhov, Alex Venediktov)
Scenery Audio©
An ultimate level audio system, enriching the usual interpretation of stereo systems as such and blurring the lines between Hi-Fi Stereo & High-End Audio
Subsystem 1
Scenery Audio©
Components of the
Enrichment of the usual reading of stereo systems due to the Scenographic arrangement of audio components, including:
1.
the methodology considers the relationship between the physical laws of sound propagation and the psychophysiological properties of binaurality of hearing and binocularity of human vision when perceiving audio content in the interior
▪ Methodology for placing components in the interior Scenery Methodology©
implementation of a system of two horizontally oriented audio projections: frontal and panoramic, which together form a panoramic stereo projection and constitute a synergistic effect for the full use of human binaural properties
▪ Panning horizontally in the mid-high frequency section of the stereo:
implementation of a system of two vertically oriented linear arrays of 3 subwoofers each, which together form a diffuse field for full immersion in the spatial scene and can optionally be supplemented by a rear unit of two additional subwoofers
▪ Organization into arrays vertically in the low-frequency section of the stereo:
Use of specially developed technical systems:
2.
the system implementation includes separate paths: balanced (XLR) for the mid-high-frequency section and unbalanced (RCA) for the low-frequency section
▪ Active audio signal splitting system Scenery Splitter©
system implementation includes multi-level custom triggering, network filtering and indication
▪ Power management and filtering system Scenery Power©
Line Suite©
Designer furniture, organized into a single set, specially designed to achieve a new level of usability of audio systems
Subsystem 2
Line Suite©
Components of the
An original furniture set, specially designed to achieve a new level of ease of use of audio systems, superior to traditional ones, providing for a Scenographic arrangement of furniture and including:
1.
for placing a TV on it, as well as various custom items
▪ One floor-mounted central cabinet
for placing on them the components of the entire Scenery Audio© system: two front plates for the front stereo pair (located on the pencil cases) and two vertical linear arrays of 3 subwoofers each, and two panoramic plates for the panoramic stereo pair (located on the pencil cases)
▪ Original stone floor plates Line Plate©
for placing two stereo pairs, power management system and network filtering Scenery Power©, splitting Scenery Splitter©, backlight Line Light©, DAC, as well as for various user items: CDs, vinyl records, remote controls, books, magazines, and others
▪ Original pencil cases Line Case©, located on plates
Complementary subordination to the overall Brainchild of the system due to the mutual integration of Line Suite© with the Scenery Audio© and Line Light© systems
2.
▪ Optional rear assembly of two stone plates and two subwoofers located on them
Stone floor plates ensure a strictly horizontal arrangement of components and their protection
Line Light©
Designer interior lighting, organized into a single system, specially designed to increase the comfort of listening to audio content
Subsystem 3
Line Light©
Components of the
A unified system of designer interior lighting, specially designed to increase the comfort of the process of perceiving audio content, providing for a Scenographic arrangement of lighting sources and including:
1.
includes a control center using the included remote control, as well as via Wi-Fi
▪ Specially designed RGBW interior lighting controller Line Controller©
including, but not limited to, 25 fixtures integrated into base stone plates, upright cases, stereo pairs, subwoofer line arrays, center cabinets, and wall-mounted lighting areas
▪ A set of specially designed linear luminaires Line Lamp©, geometrically corresponding to the Scenographic arrangement of SAS-Audio© components SAS-Audio©
including excellent comfort even in complete surrounding darkness, which harmonizes the process of spatial perception of content by a person
▪ Possibility of comfortable perception of audio content even in the complete absence of other light sources other than Line Light©
Complementary subordination to the overall Brainchild of the system due to the mutual integration of Line Light© with the Scenery Audio© and Line Suite© systems
2.
Brainchild of the SAS-Audio©
▪ Creation of a holistic System that fully reflects all human criteria to ensure full involvement in the process of perceiving content in the interior
▪ The Brainchild is implemented using the unity of 3 subsystems that make up the SAS-Audio© Formula, which means their organic integration with each other in aesthetically compatible forms
Aesthetics of the SAS-Audio©
▪ Aesthetically, SAS-Audio© is expressed in an innovative approach, which consists in a broader understanding of the essence of the system as such compared to traditional approaches
▪ The result of this approach is a complete interior solution, and not just an audio system, as it happens in its archaic understanding
Innovation of the SAS-Audio©
SAS-Audio© goes beyond the archaic understanding of audio systems, expanding and deepening their meaning by including three originally developed subsystems into its perimeter: Scenery Audio©, Line Suite© and Line Light©
▪ These original subsystems together form its original SAS-Audio© Formula and, as a result, represent a complete interior solution
▪ This approach is based on the recognition of the relationship between the physical laws of sound propagation and the psychophysiological properties of a person: the binaurality of his hearing and the binocularity of his vision, and their conscious use in the process of perceiving audio content in the interior
SAS-Audio© Formula
SAS-Audio© = Scenery Audio© + Line Suite© + Line Light©
All components are organically integrated into a single integral system and are subordinated to its Brainchild
Authorship of the SAS-Audio©
The authors of the original system SAS-Audio© (SAS©) / Scenographic Audio System©, the subsystems used in it: Scenery Audio©, Line Suite©, Line Light©, original technical products: Scenery Power©, Scenery Splitter©, Line Controller©, Line Plate©, Line Case©, as well as the original methodology of Scenery Methodology©, is a creative team of two authors: Denis Monakhov and Alexey Venediktov, Ekaterinburg, Russia. Official website of the SAS-Audio© Project: sas-audio.pro. The website launch date is 24.4.24.
Complementary subordination to the overall Brainchild of the system due to the mutual integration of Scenery Audio© with the Line Suite© and Line Light© systems
3.